為了保留極致的形態(tài)美感，多余的材質(zhì)都會(huì)破壞樓梯本身的質(zhì)感，所以選用一體化的微水泥材料來(lái)對(duì)樓梯進(jìn)行覆蓋，景瑞無(wú)雙別墅設(shè)計(jì)讓整個(gè)樓梯仿若一個(gè)建筑裝置一樣矗立于這個(gè)五層的縱深空間之中。

In order to retain the ultimate form of beauty, the extra material will destroy the texture of the stairs themselves, so the use of integrated micro-cement materials to cover the stairs, let the entire staircase as a building as a device to stand in this five-story deep space.

光影的離散

The dispersion of light and shadow

樓梯貫穿至地下空間，則再無(wú)多余材質(zhì)，微水泥溫潤(rùn)的包裹著相對(duì)幽暗的空間。純粹的設(shè)計(jì)也彰顯了無(wú)即萬(wàn)象的禪宗思想。

Stairs run through to the underground space, there is no extra material, micro-cement warm wrapped in the relatively dark space. Pure design also highlights the immutable Zen thought.

自我空間的定義應(yīng)該是怎樣的氣質(zhì)？我們需要一個(gè)自我蘇醒的過(guò)程，就是不在囿于主流大眾的審美框架而是打破常規(guī)回歸自身的意識(shí)需求。

What kind of temperament should the self-space be defined by? We need a process of self-awakening, that is, not confined to the mainstream of the aesthetic framework but to break the conventional return to their own consciousness needs.

結(jié)構(gòu)的多樣性服從于空間的功能性，內(nèi)外高差產(chǎn)生了入戶的臺(tái)階，巧合在于頂面的高出空間在夾層形成一個(gè)弧形的舞臺(tái)區(qū)域。景瑞無(wú)雙別墅設(shè)計(jì)天光自然而下，在幽靜的空間中感受自然的力量，石頭與綠植將大自然的氣息帶回建筑的每一寸空間中。

The diversity of the structure obeys the function of the space, the difference between inside and outside creates the step into the house, and coincidentally, the space above the top forms an arc-shaped stage area in the mezzanine. Natural daylight, in the quiet space to feel the power of nature, stone and green will bring the atmosphere of nature back to every inch of the building space.